Tango Story: Love in the Time of Corona III
Story | Adam Smolka | 03/06/2020 | Views: 199 | Comments: 0 | Shares

At that moment, while he was still contemplatively swirling his Sheldaig, the officer’s radio erupted in a series of unintelligible squawks that stiffened his spine and caused him to swallow his Sheldaig pronto. “Gotta go,” he said, hitching his belt, “Looks like we got us a riot on Meeting Street.” He hiccupped, belched once or twice, and paused momentarily as Max and Dolores swept unconcernedly past him, eyes closed, rapt in the Tango moment spun by Di Sarli’s violin and bandoneon. He swung open the black-laquered door of the Hotel Fakir and fumbled with his belt-full of riot-control gear as distant concussions and the percussive beats of a helicopter and its sweeping searchlight invaded the Hotel Fakir. Ignatio listened attentively to the growing ruckus beyond the cobbled alley, and then resumed his reflective polishing of wine glasses, pausing now and again to study the small collection of photographs next to his tropical flowers.

Dolores walked over and caught the faraway look in his eye. “Tell me a story, Ignatio”, she said, “I’m not dancing.” He adjusted a sepia photograph showing a young man and a woman in a silk dress and high heels in a close tango embrace.

“Long ago I led a garrison defending a remote archipelago against foreign aggression,” he said, absent-mindedly touching the gold military pin on his lapel. “My adjutant was political, the bureaucracy’s eye on the battlefield.” He glanced at the photograph. “His wife Graciela and I were in love. I see her in you, Dolores.” Ignatio took her hand in his. She smiled, but his tired lined face was impassive. “Things didn’t end well. I escaped a firing squad with the help of a brother officer named Ferreyra. He was shot instead.”

Dolores was used to Ignatio’s darker moods, and turned away to look for Max, unprepared for what came next. With an explosive crash the etched glass transom over the front door splintered into a thousand shards. Something smoking and ominous lay spinning out on the dance floor. She glimpsed a bottle, a rag, a tiny lick of flame. With an almighty silent detonation, the salon was suddenly an incandescent lake of fire, and for one suspended second, everything stopped. And then panic set in as she and Max fled out to the patio, slapping at claws of fire that raked them as they ran. They cowered by the wrought iron railings beneath the fig trees. The Hotel Fakir, triumphantly ablaze in its final moments, defiant in the delayed drenching of fire hoses, slowly collapsed in monumental showers of sparks. Just then, Dolores realized that Ignatio was no longer with them. A spectral figure was silhouetted against the fiery tableau, heading back into the flames.

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